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I have reviewed a lot of movies for a lot of different media outlets, including, but not limited to, the majority of Pixar films. However, I’ve never written a whole article about a Pixar short, and it is time that changed. La Luna is the reason.

La Luna was created, written, and directed by Enrico Casarosa, who had previously worked on Cars, Up, and Ratatouille, and it was nominated for an Academy Award (Best Short Film). It deserved it.

If you have ever wondered what it is like to be nominated for an Oscar, here is how  Casarosa described it:

I woke up and  I let all my family sleep, but I made myself a coffee and I was in the dark in the kitchen, trying to figure out where they would put it because they don’t really mention us little guys in the show.  You have to go look for it.  But once you find out…I love that moment of that quiet, personal moment of me and a cup of coffee.  Then it turned into text and then it’s a mess, and  emails of all these people kind of congratulating me.

So I really felt great,  the feeling of a nomination feels wonderful, but,  the thing I remember the most is just the outpouring from all over the place, people coming through the woodwork to say hi and congratulations, which is really great, and that kind of strange quiet moment.

It was not a bad day.

I bet.

The story of La Luna runs seven minutes and does not use any spoken language, aside from shrugs, looks, and some mumbling that only the characters can understand. It’s a family thing.

The film covers the first night on the job for a little boy entering the family business with his father and grandfather. The men do not get along and the boy is forever stuck between them.
Read More »A Short Post About the Short Film La Luna