Does it say something about your movie when more people are talking about a complete digital creation than the film’s…
There appears to be a disinformation campaign coming out of Hollywood. The visceral dislike of Disney Studios head Rich Ross, former marketing head MT Carney, and the envy of untouchable Pixar have combined to make Disney’s latest film a target of attacks. Opportunists who hadn’t even seen the film saw an opening to attack the Mouse House and have been making some wild accusations about “John Carter.” It’s way over budget (not true), the marketing was awful (definitely true), and it will be the next Ishtar (or perhaps Prince of Persia). The later is only true if one thing happens, we fans don’t get the word out about how great a film John Carter actually is.
Andrew Stanton and crew are in top form in John Carter, and aside from a few small technical snafus, have created a movie that fits in near the top of the action-adventure genre (think Indiana Jones, Star Wars, Avatar, and Superman). But it is also a typical Andrew Stanton film, in that the movie manages to transcend its genre.
Stanton combined elements from the first two books in Edgar Rice Burroughs “Princess of Mars” series and weaved together a story that will please fans of the series while also updating the story just a bit for modern audiences. Earthling John Carter (Taylor Kitsch) stumbles upon a portal to Mars (known as Barsoom to its occupants) while searching for gold and trying to forget a personal tragedy. On Mars, Carter finds himself in the middle of an epic battle for the fate of a planet, falling in love with the most beautiful woman on Barsoom, and gifted with unique powers that makes him a uniquely effective fighter. By making unusual allies, Carter is able to overcome impossible odds and become John Carter of Mars.